Getty Research Institute collection

Posted in Art, Getty Research Institute, Prints and Drawings

The Original Turducken

Feast with stuffed ox / Hogenber
Feast with stuffed ox (detail), 1530, in Nicholas Hogenber, Procession of Pope Clement VII and the Emperor Charles V after the coronation at Bologna on the 24th February, MDXXX. Hand-colored etching pasted on canvas scroll. The Getty Research Institute

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

A Smartly Costumed Soldier and His Fierce Cat

An Azappo Archer with a Cheetah
An Azappo Archer with a Cheetah, about 1575, Jacopo Ligozzi. Brush, pen and brown ink, tempera colors, and painted gold, 11 1/16 x 8 3/4 in. The J. Paul Getty Museum, 91.GG.53

An extraordinary portrait of a Turkish soldier and his feline sidekick. More»

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Posted in Exhibitions and Installations, Prints and Drawings

Celebrating Sugar in “The Edible Monument”

Marcia Reed and Ivan Day
Marcia Reed and Ivan Day installing the sugar sculpture in The Edible Monument

Talking sugar with the chief curator of the Getty Research Institute. More»

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Posted in Getty Research Institute, Publications, Scholarship

Prototyping a Digital Publication for Scholars

Prototype for the folio-and-transcription view of the Mellini manuscript
Prototype for the folio-and-transcription view of the Mellini manuscript

How do you design an entirely new breed of digital publication? Test, revise, test, revise… More»

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Posted in Exhibitions and Installations, Getty Research Institute, Prints and Drawings

This Just In: A Sugar Sculpture in Technicolor

Detail of etching of sugar sculpture / Teyler after Lenardi

A fantastic episode from the history of edible propaganda. More»

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Posted in Exhibitions and Installations, Prints and Drawings

17th-Century Print Offers a Field Guide to Laziness and Gluttony

Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most / Remondini
Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most, 1606, Remondini family (Bassano). Hand-colored engraving, 16 5/16 x 21 7/8 in. The Getty Research Institute, 2014.PR.72

“Here you only worry about being happy!” More»

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Posted in Getty Research Institute, Photographs, Film, and Video

The Ruins of Palmyra, Captured in Vintage Photographs

Temple of Baal Shamin, Palmyra, Syria, 1864, Louis Vignes, negative; Charles Nègre, print. Albumen print. The Getty Research Institute
Temple of Baal Shamin, Palmyra, Syria, 1864, Louis Vignes, negative; Charles Nègre, print. Albumen print. The Getty Research Institute

A glimpse at Syria and Lebanon in the mid-1800s. More»

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Posted in Exhibitions and Installations, Getty Research Institute, J. Paul Getty Museum

Dogs at the Medieval Banquet

A Hunter and Dogs Pursuing a Hare, about 1430–1440, Unknown. Tempera colors, gold paint, silver paint, and gold leaf on parchment, 10 3/8 x 7 1/4 in. The J. Paul Getty Museum, Ms. 27, fol. 85
A Hunter and Dogs Pursuing a Hare, about 1430–1440, Unknown. Tempera colors, gold paint, silver paint, and gold leaf on parchment, 10 3/8 x 7 1/4 in. The J. Paul Getty Museum, Ms. 27, fol. 85

Who let the dogs in? More»

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Posted in Art, Behind the Scenes, Getty Research Institute

A Beginner’s Guide to the Renaissance Book

Page in Liber amicorum
Page in Liber amicorum, 1602–12, Johann Heinrich Gruber. The Getty Research Institute, 870108. See full digitized book

A tour of the early printed page. More»

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Posted in Art, Getty Research Institute

The Art of Sculpting with Sugar

Sugar sculptures of palm trees and nymph
Trionfi (sugar sculptures) of palm trees and nymphs, Arnold van Westerhout. Etching, 6 1⁄2 x 10 1⁄4 in. In John Michael Wright, An Account of His Excellence Roger Earl of Castlemaine’s Embassy: From His Sacred Majesty James the IId., King of England, Scotland, France, and Ireland, &c., to His Holiness Innocent XI (London: Printed by Tho. Snowden for the author, 1688), pl. 13. The Getty Research Institute, 83-B3076

In Early Modern Europe, sugar became its own art form. More»

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