Getty Research Institute collection

Posted in Art, Art & Archives, Behind the Scenes

This Just In: The Correspondence of Art-World Power Couple Lawrence Alloway and Sylvia Sleigh

Envelope containing a letter from Lawrence Alloway to Sylvia Sleigh, February 2, 1948
Envelope containing a letter from Lawrence Alloway to Sylvia Sleigh, February 2, 1948. Alloway addressed mail to Sleigh under her married name, Greenwood. The Getty Research Institute, 2003.M.46

Newly digitized letters reveal a romantic and intellectual love affair. More»

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Posted in Art, Art & Archives, Getty Research Institute

Why Illustrate a Cookbook?

Cucina per Campagna in M. Bartolomeo Scappi, Opera
Cucina per Campagna in M. Bartolomeo Scappi, Opera (Venice: Michele Tramezzino, 1570), pl. 6.Universitätsbibliothek Göttingen, 8 OEC I, 3660 RARA

A Renaissance celeb chef tells all. More»

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Posted in Art, Art & Archives, Getty Research Institute, Prints and Drawings

The Original Turducken

Feast with stuffed ox / Hogenber
Feast with stuffed ox (detail), 1530, in Nicholas Hogenber, Procession of Pope Clement VII and the Emperor Charles V after the coronation at Bologna on the 24th February, MDXXX. Hand-colored etching pasted on canvas scroll. The Getty Research Institute

What’s going on here? More»

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Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

A Smartly Costumed Soldier and His Fierce Cat

An Azappo Archer with a Cheetah
An Azappo Archer with a Cheetah, about 1575, Jacopo Ligozzi. Brush, pen and brown ink, tempera colors, and painted gold, 11 1/16 x 8 3/4 in. The J. Paul Getty Museum, 91.GG.53

An extraordinary portrait of a Turkish soldier and his feline sidekick. More»

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Posted in Art & Archives, Exhibitions and Installations, Prints and Drawings

Celebrating Sugar in “The Edible Monument”

Marcia Reed and Ivan Day
Marcia Reed and Ivan Day installing the sugar sculpture in The Edible Monument

Talking sugar with the chief curator of the Getty Research Institute. More»

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Posted in Getty Research Institute, Publications, Scholarship, technology

Prototyping a Digital Publication for Scholars

Prototype for the folio-and-transcription view of the Mellini manuscript
Prototype for the folio-and-transcription view of the Mellini manuscript

How do you design an entirely new breed of digital publication? Test, revise, test, revise… More»

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Posted in Art & Archives, Exhibitions and Installations, Getty Research Institute, Prints and Drawings

This Just In: A Sugar Sculpture in Technicolor

Detail of etching of sugar sculpture / Teyler after Lenardi

A fantastic episode from the history of edible propaganda. More»

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Posted in Art & Archives, Exhibitions and Installations, Prints and Drawings

17th-Century Print Offers a Field Guide to Laziness and Gluttony

Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most / Remondini
Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most, 1606, Remondini family (Bassano). Hand-colored engraving, 16 5/16 x 21 7/8 in. The Getty Research Institute, 2014.PR.72

“Here you only worry about being happy!” More»

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Posted in Art & Archives, Getty Research Institute, Photographs, Film, and Video

The Ruins of Palmyra, Captured in Vintage Photographs

Temple of Baal Shamin, Palmyra, Syria, 1864, Louis Vignes, negative; Charles Nègre, print. Albumen print. The Getty Research Institute
Temple of Baal Shamin, Palmyra, Syria, 1864, Louis Vignes, negative; Charles Nègre, print. Albumen print. The Getty Research Institute

A glimpse at Syria and Lebanon in the mid-1800s. More»

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Posted in Art & Archives, Editor's Picks, Exhibitions and Installations, Getty Research Institute, J. Paul Getty Museum

Dogs at the Medieval Banquet

A Hunter and Dogs Pursuing a Hare, about 1430–1440, Unknown. Tempera colors, gold paint, silver paint, and gold leaf on parchment, 10 3/8 x 7 1/4 in. The J. Paul Getty Museum, Ms. 27, fol. 85
A Hunter and Dogs Pursuing a Hare, about 1430–1440, Unknown. Tempera colors, gold paint, silver paint, and gold leaf on parchment, 10 3/8 x 7 1/4 in. The J. Paul Getty Museum, Ms. 27, fol. 85

Who let the dogs in? More»

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      Color for Healing

      This sanitorium (tuberculosis hospital) in Paimio, Finland, was designed by architect Alvar Aalto in the 1920s. Unlike many hospitals, it was full of bright colors—including welcoming yellow on the main stairs and calming green for ceilings above bedridden patients. Aalto even created special chairs to open the chest and speed healing.

      The building’s colors were mostly whitewashed later in the 20th century, but now—due to a grant from the Getty Foundation as part of its Keeping It Modern initiative—its colors are being reconstructed and the building preserved for the future.

      More of the story: Saving Alvar Aalto’s Paimio Sanitorium

      Pictured: Paimio Sanatorium, patients’ wing and solarium terraces. Photo: Maija Holma, Alvar Aalto Museum. A color model for Paimio Sanatorium interiors by decorative artist Eino Kauria. Photo: Maija Holma, Alvar Aalto Museum, 2016.Paimio chairs (Artek no 41) in the Paimio Sanatorium lecture room, 1930s. Photo: Gustaf Welin, Alvar Aalto Museum. Aino Aalto resting in a chair on the solarium terrace. Photo: Alvar Aalto, Alvar Aalto Museum, 1930s. Main stairs of Paimio Sanatorium. Photo: Maija Holma, Alvar Aalto Museum.

      04/30/16

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