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Posted in Art, Art & Archives, Education, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Question of the Week: Do Americans See the World through a Distorted Lens?

Sol and Cuba, Old Havana, Looking North from Alberto Roja's 1951 Plymouth, Havana, Alex Harris, negative, May 23, 1998; print, December 2007. Chromogenic print, 30 1/8 x 37 3/4 in. The J. Paul Getty Museum, 2010.90.3. Gift of Michael and Jane Wilson, Wilson Centre for Photography © Alex Harris
Sol and Cuba, Old Havana, Looking North from Alberto Roja's 1951 Plymouth, Havana, Alex Harris, negative, May 23, 1998; print, December 2007. Chromogenic print, 30 1/8 x 37 3/4 in. The J. Paul Getty Museum, 2010.90.3. Gift of Michael and Jane Wilson, Wilson Centre for Photography © Alex Harris

Initially designating himself an “ignorant American,” photographer Alex Harris went to Cuba in 1998, camera in tow, without preconceived notions. He simply wondered what photography could tell him about this neighboring country that he, along with so many other Americans,… More»

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Posted in Architecture and Design, Art & Archives, Getty Research Institute, Publications

Painterly Urban Planning: Nikolaus Pevsner’s “Visual Planning and the Picturesque”

Cover of Nikolaus Pevsner's Visual Planning and the Picturesque, published by the Getty Research Institute
 

Nikolaus Pevsner (1902–1983) was one of the 20th century’s foremost historians of British architecture. Even today, tourists wander through the historic squares of England aided by Pevsner’s The Buildings of England guidebooks, which remain in print with Yale University Press… More»

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Posted in Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Three Contemporary Photographers on Cuba

Untitled (Havana), Alexey Titarenko, 2006. Gelatin silver print, 16 3/4 x 16 1/2 in. The J. Paul Getty Museum, 2010.70.2. © Alexey Titarenko
Untitled (Havana), Alexey Titarenko, 2006. Gelatin silver print, 16 3/4 x 16 1/2 in. The J. Paul Getty Museum, 2010.70.2. © Alexey Titarenko

What drew them to Cuba? We asked photographers Alex Harris, Virginia Beahan, and Alexey Titarenko, whose work is featured in the exhibition A Revolutionary Project: Cuba from Walker Evans to Now, to talk about what took them to the island,… More»

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Posted in Architecture and Design, Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Walker Evans’s Havana, through an Architect’s Lens

Havana Cinema, Walker Evans, 1933. The J. Paul Getty Museum, XXX. © Walker Evans Archive, The Metropolitan Museum of Art

Julio César Pérez Hernández, architect and author of Inside Cuba, visits the Getty Center this Thursday to talk about Cuban architecture in conjunction with the exhibition A Revolutionary Project: Cuba from Walker Evans to Now. Evans’s photographs of Cuba from… More»

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Posted in Art, Art & Archives, Getty Research Institute

Treasures from the Vault: Welcome to Alfred Schmela’s Art Gallery!

Me with documents from the Galerie Schmela archive in the Special Collections Reading Room at the Research Library, Getty Research Institute

An important archive on postwar art is now available for research at the Getty Research Institute. After several months of writing and archival processing, I’ve just finished my work on the archive of Galerie Schmela. The archive’s 172 boxes and 25 flat file… More»

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Posted in Antiquities, Art, Art & Archives, J. Paul Getty Museum, Paintings, Sculpture and Decorative Arts

The Italian Showcase

Portrait of a Halberdier (Francesco Guardi?), Pontormo, 1528–30. The J. Paul Getty Museum, 89.PA.49

If our globe had a school playground, could you spot Italy? That’s right, the one voted “most popular.” Good-looking, sharp, charismatic. Plus, a rock star in art class. This year, the popular kid turns 150. Surprisingly, the nation that for… More»

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Posted in Art, Art & Archives, Behind the Scenes, Getty Research Institute

Preserving the Legacy of Harald Szeemann

Artists' files in the Szeemann archive

The Harald Szeemann Archive and Library, one of the most important private research collections for modern and contemporary art in the world, is coming to the Getty Research Institute—and we couldn’t be more excited. Szeemann was the most influential curator… More»

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Posted in Conservation, Getty Conservation Institute

All Roads Lead to Rome

The Roman Forum

What brings a group of architects, conservators, engineers, geologists, scientists, and archaeologists from twenty countries and six continents to Rome? Rocks—or more accurately, stone. They have all come to participate in the 17th International Course on Stone Conservation, which began… More»

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Posted in Conservation, Getty Foundation

Getty Foundation Grant Allows Newly Conserved Cosmati Pavement to Be Unveiled at Royal Wedding

Conservators consolidating the Purbeck marble tracery within one of the original remaining roundels. Courtesy of Westminster Abbey.

The Cosmati Pavement, the medieval tile mosaic floor in front of the Abbey’s High Alter where Prince William and Middleton are expected to take their vows, has in past been rarely visible due to its age and condition, but the floor has been newly conserved thanks in large part to a grant from the Getty Foundation. More»

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Posted in Behind the Scenes, Getty Research Institute, Publications, Scholarship, technology

The Getty Research Journal: Diverse, Collaborative, International

Cover of the Getty Research Journal, issue 3 (2011) featuring Brian O'Doherty's Tatlin Squared

The third issue of the Getty Research Journal has just been published. Each year, the Journal presents new research on the Getty’s broad holdings and highlights the diverse interests of our staff and scholars. The journal’s goal is to share… More»

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      Color for Healing

      This sanitorium (tuberculosis hospital) in Paimio, Finland, was designed by architect Alvar Aalto in the 1920s. Unlike many hospitals, it was full of bright colors—including welcoming yellow on the main stairs and calming green for ceilings above bedridden patients. Aalto even created special chairs to open the chest and speed healing.

      The building’s colors were mostly whitewashed later in the 20th century, but now—due to a grant from the Getty Foundation as part of its Keeping It Modern initiative—its colors are being reconstructed and the building preserved for the future.

      More of the story: Saving Alvar Aalto’s Paimio Sanitorium

      Pictured: Paimio Sanatorium, patients’ wing and solarium terraces. Photo: Maija Holma, Alvar Aalto Museum. A color model for Paimio Sanatorium interiors by decorative artist Eino Kauria. Photo: Maija Holma, Alvar Aalto Museum, 2016.Paimio chairs (Artek no 41) in the Paimio Sanatorium lecture room, 1930s. Photo: Gustaf Welin, Alvar Aalto Museum. Aino Aalto resting in a chair on the solarium terrace. Photo: Alvar Aalto, Alvar Aalto Museum, 1930s. Main stairs of Paimio Sanatorium. Photo: Maija Holma, Alvar Aalto Museum.

      04/30/16

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