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Posted in Getty Research Institute, Prints and Drawings

This Just In: Anatomy in Wax, Wood, and Ink

“These prints preserve a fascinating moment in the history of art and science, through the meeting point of anatomy.” More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

This Just In: The Sublime in the Everyday

Cookie in the Snow, Seacoal Camp, Lynemouth, Northumberland / Chris Killip
"Cookie" in the Snow, Seacoal Camp, Lynemouth, Northumberland, 1985, Chris Killip. Gelatin silver print, 10 7/8 x 13 3/8 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.25.11. © Chris Killip

Chris Killip’s photographs depict hard-working people in a bleak yet visually stunning setting. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: Three Drawings from the Dutch Golden Age

A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)
A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)

A peasant portrait, botanical watercolor, and winter scene join the Getty Museum’s collection More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings, Research

Who Is George Seurat’s “Indian Man”?

An Indian Man / Georges Seurat
Detail of Seurat's An Indian Man showing the finely rendered beard and topknot

Help us solve an art-historical mystery. More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Children in Another World: The Photographs of Arthur Tress

Boy with Root Hands, New York, New York, 1971. Arthur Tress (American, born 1940). Gelatin silver print. The J. Paul Getty Museum, Los Angeles. © Arthur Tress.
Boy with Root Hands, New York, New York, 1971, Arthur Tress. Gelatin silver print, 10 1/16 x 10 3/16 in. The J. Paul Getty Museum, 2013.68.13. © Arthur Tress

The inner lives of children take form in the American photographer’s surreal, compelling images. More»

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Posted in Art, Getty Research Institute, Paintings, Research

Frederick Hammersley Foundation Donates Archive to the Getty Research Institute

Page from Notebook 3 / Frederick Hammersley
Page from Notebook 3, Frederick Hammersley, 1978. Artwork © Frederick Hammersley Foundation

“Despite their precise lines and construction, Hammersley’s work displays a personal touch, guided by his belief in intuition as an important principle for art making.” More»

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Posted in Art, J. Paul Getty Museum, Paintings

Laughing Out Loud! Rembrandt Self-Portrait Now on View at the Getty

Close-up of face in Rembrandt Laughing / Rembrandt Harmensz. van Rijn
Rembrandt Laughing (detail), about 1628, Rembrandt Harmensz. van Rijn. Oil on copper, 8 3/4 x 6 3/4 in. The J. Paul Getty Museum, 2013.60

A youthful, confident Rembrandt shakes things up in the paintings galleries. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

Father-and-Daughter Pastels by William Hoare Now on View

Henry Hoare, "The Magnificent," of Stourhead; Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury
L: Henry Hoare, “The Magnificent,” of Stourhead, about 1750–1760, William Hoare. R: Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury, about 1750–1760, William Hoare

Newly acquired portraits tell the unusual story of British banking heir Henry Hoare and the artist who depicted him. More»

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Posted in Art, Getty Research Institute, Research

Letters by René Magritte Join Research Institute’s Collection

Photo of Rene Magritte painting Les Promenades d'Euclide, 1955
© 2013 C. Herscovici, London / Artists Rights Society (ARS), New York

The artist’s business dealings with gallerist Alexander Iolas are the focus of nine revealing letters from the 1950s and ’60s. More»

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Posted in Art, Manuscripts and Books, Research, Voices

Graffiti Black Book | Getty Voices

LALiberAmicorum_earlymeeting
One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

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      Transit is a huge part of the history of Los Angeles.

      Los Angeles Union Station is the first publication to take a deep look at the design influences of L.A.’s Union Station and how the station came to be. Flip on through.

      #NowReading is a series with @gettypubs that celebrates books, reading everywhere, and art.

      10/23/14

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