Art, Art & Archives, Exhibitions and Installations, Getty Research Institute

Yvonne Rainer in Her Own Words

An exhibition at the Getty Research Institute features the dances, films, and words of Yvonne Rainer, including fascinating (and funny) excerpts from her diaries. Listen to them here

Most exhibitions feature labels and gallery panels with just enough information to give visitors the basics. For curators, writing these concise gems is no easy feat! Deciding what goes in them can be an art form. In fact, some labels are themselves art.

Yvonne Rainer: Dances and Films at Getty Research Institute gives this approach a twist. While labels written by curator Glenn Phillips guide you through the exhibition, Yvonne Rainer’s writings—quoted extensively throughout both galleries—provide personal context. “She’s always put her life in her work,” says Glenn, who emphasizes that Rainer’s art, while abstract and conceptual, is far from dry or impersonal. “Her words give visitors something that is beautiful, funny, provocative.”

For the exhibition, Glenn also asked Rainer to record selected passages from her diaries, which begin in her teenage years and run well into adulthood. These reveal a different side of the artist, with topics varying from dreams, to arguments with schoolteachers, to thoughts about consumerism while shoe shopping. Nothing is off limits. One diary entry from the 80s, a list of shameful conditions and operations, seems positively Whitmanesque. Whether hilarious, violent, or despairing, there’s always clarity in Rainer’s voice.

Tagged , , , : . Bookmark the permalink. Post a comment or leave a trackback: Trackback URL.

Post a Comment

Your email is never published or shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      thegetty:

      GAME OF THRONES: SEASON 6, EPISODE 2

      Winter is coming. All men must die. And Game of Thrones is back! Stay tuned each week as we unpack Sunday’s episodes through masterpieces.

      Winter is coming indeed! A snowy forecast has just been resurrected thanks to a please-touch-me-and-cut-my-hair lady in red. The epic line “I drink and I know things” provides especially good wisdom for how to tame two dragons

      Several characters went at it this week: a soldier and a friar exchanged heated remarks in the presence of an armed peace mob, a girl with no name and another not-so-kind girl went stick to stick, a crow and a giant went crossbow to stone wall, a first-born son stabbed his father, starving hounds and a new mother went canines to flesh, and two brothers duked it out on a swinging bridge (one fell). Plus, the three-eyed raven (who sits in a tree) taught a forgotten character how to look into the past.


      To make our Game of Thrones posts more international, we’ll feature an image from our Global Middle Ages exhibition and pick “wildcard” images from other collections around the world.

      This week’s pick from the Getty’s Traversing the Globe exhibition comes from @lacma (because we love dragons). The wildcard images were selected from the British Museum (more dragons), the Morgan Library (giants!), and the Museo del Prado (hounds).

      Dive deeper with featurettes connecting the making of medieval manuscripts to the making of fantasy TV. 

      image

      #DesigningGoT - Live Stream May 4 at 7 PM PST

      Michele Clapton, costume designer for the first five seasons of Game of Thrones, joins Deborah Landis, director of the Copley Center for Costume Design at UCLA, and Bryan C. Keene, assistant curator of manuscripts at the Getty, to discuss the series’ medieval aesthetic and the visual sources for her designs.

      Tune in to the live stream here.

      05/04/16

  • Flickr