What drew them to Cuba? We asked photographers Alex Harris, Virginia Beahan, and Alexey Titarenko, whose work is featured in the exhibition A Revolutionary Project: Cuba from Walker Evans to Now, to talk about what took them to the...
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Most museum galleries have certain things in common. For one, the works are spaced a restful distance apart from one another on the wall. For another, they’re typically organized by school or theme. The focus might be, say, on...
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Artist Mark Bradford recently visited one of Kristine Hatanaka’s art classes at Culver City High School to talk to students about works they’d created based on his art-making activity RE-RE-Process, available through Open Studio. Initiated by Mark as part...
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After several months of writing and archival processing, I’ve just finished my work on the archive of Galerie Schmela. The archive’s 172 boxes and 25 flat file folders are listed and described here. The records of Galerie Schmela in Düsseldorf document the business...
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It’s back! The Museum Store at the Getty Center has just reopened after a month-long renovation. The space hasn’t grown, but it feels bigger thanks to an airy layout, nicely integrated display cases, and a fresh arrangement of books...
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You close your eyes, make a wish, and throw a coin in a fountain. This scene isn’t uncommon here at the Getty. Last year, some $1,649.03 worth of coins were collected from the Azalea Pool in the Central Garden,...
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What did 19th-century visitors to the Holy Land photograph?
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Visual phenomena intersect with concepts applied to music in films.
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The mythology of artistic greatness tends to privilege the spark of creative genius over hard work, sacrifice, and experimentation. Traditionally, the biographies of famous artists have described naïve talents who achieved notoriety only after being fortuitously discovered. By contrast,...
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The Harald Szeemann Archive and Library, one of the most important private research collections for modern and contemporary art in the world, is coming to the Getty Research Institute—and we couldn’t be more excited. Szeemann was the most influential...
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This weekend, we’re screening a four-part film series, Soy Cuba!, that offers a brutal and beautiful look at Cuba through different perspectives in the 1960s (and one from 1959 with Our Man in Havana), a time of great transition...
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In 2007 the Getty Security department was approached by the VA (Veterans Affairs) to see if we could arrange a visit to the Getty Center for some of the veterans at their facility off Sepulveda Boulevard at Constitution Avenue....
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