Monthly Archives: January 2014

Posted in Art

The Museum That Proudly Defies Understanding

Google Image search for exhibits at the Museum of Jurassic Technology
Photos don't capture the experience of the MJT. Moreover, they're forbidden.

If the wall label says it, it must be true. Right? More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Anne Woollett

Anne Woollett
Curator Anne Woolett, photographed inside the installation Hearsay of the Soul

The deep appeal of the imagined landscape. More»

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Posted in Art, Getty Research Institute, Research

Beyond Digitization—New Possibilities in Digital Art History

Madonna, Saint Thomas Aquinas, and Saint Paul / Bernardo Daddi
Digital Daddis. In the Getty Center galleries with Madonna, Saint Thomas Aquinas, and Saint Paul, about 1330, Bernardo Daddi. Tempera and gold leaf on panel, 47 1/2 x 22 in. The J. Paul Getty Museum, 93.PB.16

Museums and libraries have digitized millions of works of art. Now what? More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

Art and Experience in Canterbury and L.A.

Installation view of Canterbury and St. Albans at the Getty Center
Inside Canterbury and St. Albans at the Getty Center. Pages from the St. Albans Psalter, foreground: Bibliothek Hildesheim. Stained-glass panels from the Ancestors of Christ Windows, Courtesy Dean and Chapter of Canterbury

A medieval prayer book was a personal liturgical space. Small and portable, one needed only to open the book to enter. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Ancient Myth, Contemporary Politics

Paris and Helen, 1786, Jacques-Louis David (French, 1748 - 1825), pen and black ink and brush and gray wash, The J. Paul Getty Museum, Los Angeles
Paris and Helen, 1786, Jacques-Louis David. Pen and black ink and brush and gray wash, 7 3/16 x 9 in. The J. Paul Getty Museum, 83.GA.192

Jacques-Louis David made Greco-Roman myths directly relevant to the contemporary public, as this sly drawing shows. More»

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Posted in Art, Behind the Scenes, Conservation, Getty Research Institute

Lifted Cellulose Nitrate: Conserving an Early Robert Mapplethorpe Object

Untitled box / Robert Mapplethorpe
© Robert Mapplethorpe Foundation

A conservator’s view of a complex and unusual object by Robert Mapplethorpe. More»

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Posted in Art, Paintings

Scott Schaefer on the Meaning of Collecting

photo

The retiring paintings curator walks the galleries with us one last time. More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Paul Young

Paul Young
Paul Young photographed within Hearsay of the Soul at the Getty Center. "It feels very personal, and that’s what makes it interesting," he says.

“I think he sees Hearsay of the Soul as a poem, and doesn’t want to make a documentary—that was a very deliberate choice. It feels very personal, and that’s what makes it interesting.” More»

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Posted in Publications, Research

New Virtual Library Offers over 250 Art Books for Free Download

45 years of art books for free - Getty Publications Virtual Library

From Cézanne to the silk road, Egypt to earthquakes, our new Virtual Library offers 250+ art titles for free. More»

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Posted in Art, Sculpture and Decorative Arts

In This Unusual Exhibition, Sculpture Is Best Viewed by Car

Tiger 1, 2001, Gwynn Murrill, Edition 1 of 6, Bronze, 39 x 54 x 27 inches. Courtesy of LA Louver, Venice CA
Tiger 1, 2001, Gwynn Murrill, Edition 1 of 6, Bronze, 39 x 54 x 27 inches. Courtesy of LA Louver, Venice CA

Art best viewed from behind the wheel? In Century City, cast bronzes of SoCal fauna create an outdoor, drive-by art gallery. A tour. More»

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      The Perfect Male Form?

      This bronze sculpture is a copy of an ancient Roman marble statue known as the Belvedere Antinous, long considered one of the most beautiful statues to survive from antiquity. Engravings of the statue were used as models in the study of perfect body proportions.

      The bronze was once owned by Louis XIV, who purchased bronze replicas of ancient sculptures to enhance his kingly magnificence.

      A Bronze God for the Sun King

      Belvedere Antinous, about 1630, attributed to Pietro Tacca. Bronze. The J. Paul Getty Museum

      Plate 11 in Gérard Audran, Proportions of the human body, measured from the most beautiful sculptures of antiquity, 1683. The Getty Research Institute

      07/05/15

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