Florence

Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings, Voices

Getty Voices: Researching the Renaissance

Julian Brooks in Florence with reproductions of Andrea del Sarto's Renaissance drawings
Florence, del Sarto, and I.

“It’s amazing to be immersed in Andrea del Sarto’s home city, his drawings, paintings, frescoes, and his life, normally all so far away when I’m in L.A.” More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

From the Black Death to Black Friday

Saint Eloy in His Goldsmith’s Workshop / Master of the Misericordia
Saint Eloy in His Goldsmith’s Workshop, about 1370, Master of the Misericordia. Tempera and gold leaf on panel, 13 3/4 x 15 3/8 in. Museo Nacional del Prado, Madrid, no. 2841

There’s been a lot of talk about shopping over the past few days, from Black Friday to Cyber Monday (now expanded to Cyber Week). In late medieval Florence, shopping—for art—was also all the rage. In the years leading up to the… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Meet the Artist Who Helped Launch the Renaissance in Florence

The Ascension of Christ from the Laudario of Sant’Agnese / Pacino di Bonaguida

In the early 1300s, 150 years before Leonardo and Michelangelo walked its streets, Florence was a hotbed of artistic production and creativity. Three works in the Getty Museum’s collection produced in the city at this dynamic moment—all by the same… More»

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Posted in Architecture and Design, Getty Foundation

Inside Brunelleschi’s Dome

View of Brunelleschi's dome from the first gallery. Photo courtesy of the project for the photographic documentation of the Cupola of St. Maria del Fiore in Florence
View of Brunelleschi's dome from the first gallery. Photo courtesy of the project for the photographic documentation of the Cupola of St. Maria del Fiore in Florence

Italy is full of extraordinary, breathtaking round-the-corner experiences. You round a corner in Rome and find the Pantheon. In Pisa it could be the Torre Pendente di Pisa, better known as the Leaning Tower. When you arrive at the Florence… More»

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      Millais called this painting “the picture with the dreadful blue-and-white page in the corner.” Do you agree? 

      The Ransom, 1860 - 1862, John Everett Millais. J. Paul Getty Museum.

      07/29/14

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