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Posted in Behind the Scenes, Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

All Shook Up! Protecting Art in an Earthquake

The Agrigento Youth
The Statue of a Kouros (The Agrigento Youth) on loan from the Museo Archeologico Regionale in Agrigento installed in the Getty Villa, October 2010.

When you look at sculpture in the Getty Museum’s galleries, you wouldn’t guess that some of the pedestals are somewhat unusual. Under their polished veneer, they’re engineered to protect art from the movements caused by earthquakes. Many museums in California… More»

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Posted in Gardens and Architecture, Getty Villa

Seeing the Villa Gardens in a Different Light

The East Garden at the Getty Villa at dusk

Long evenings and bright sun are taking the place of early dusks and sprinkling rains: spring is here. At the Getty Villa, the light is brilliant even at closing time for a final stroll around the gardens, framing the museum… More»

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Posted in Behind the Scenes, Getty Center

Kalpa: No Strings Attached

string_people

Dancers, a World War II searchlight, and 400 spools of thread combined to turn the Getty Center’s Arrival Plaza into a performative installation last Friday night. Hirokazu Kosaka’s Kalpa was part of the Pacific Standard Time Public Art Festival, an… More»

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Posted in Ancient World, Antiquities, Getty Villa

How to Wear a Toga the Ancient Roman Way

Guy Wheatley modeling a toga in the galleries of the Getty Villa

In ancient Rome, togas were no laughing matter. They were the fashion must-have for all male citizens, but men hated them: they were heavy, made your left arm as useful as a T. Rex’s, and required a team of highly… More»

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Posted in Art, Behind the Scenes, Getty Center

A Devilish Artwork for Halloween

Saint Anthony with demons in Polyptych with Coronation of the Virgin and Saints / Cenni di Francesco di Ser Cenni
Saint Anthony with demons in Polyptych with Coronation of the Virgin and Saints by Cenni di Francesco di Ser Cenni, about 1390s. The J. Paul Getty Museum, 71.PB.31

Here’s an artwork from our collection that makes me squeal…with terror! The multicolored demons attacking my pal Saint Anthony are hooves down the scariest creatures around. The blue devil is a total gangster. He bullied his way onto our new… More»

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Posted in Architecture and Design, Education, J. Paul Getty Museum, Sculpture and Decorative Arts

Exploring 18th-Century Fashion, Garment by Garment

garment_by_garment

Did you know that artists used pig bladders to carry paint before tubes were invented, that the gold leaf used to gild paintings and manuscripts was made by pounding a coin into thin sheets, or that 18th-century fashion designers used… More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

A Living Artifact: “Trojan Women (after Euripides)” Premieres Tonight

trojan_women

Tonight at 8:00 p.m., the Getty Villa becomes a stage for the premiere of Trojan Women (after Euripides). It’s the culmination of years of work and refinement, both for SITI Company (presenting the play) and for the team at the… More»

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Posted in Exhibitions and Installations, Getty Center, Getty Conservation Institute, Getty Research Institute, J. Paul Getty Museum

Countdown to Pacific Standard Time

Ablutions performance at Guy Dill’s studio
Ablutions performance at Guy Dill’s studio, with Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.42. Photo courtesy Lloyd Hamrol

This morning we launched a new website dedicated to Los Angeles art from 1945 to 1980. Here you can get acquainted with Pacific Standard Time, the region-wide collaborative project that will tell the story of the L.A. art scene and… More»

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Posted in Antiquities, Exhibitions and Installations, Gardens and Architecture, J. Paul Getty Museum

Chiurazzi Bronzes, from Pompeii to Malibu

Replica of a Roman bronze sculpture of Apollo as an Archer in the ruins of Pompeii
Replica of a Roman bronze sculpture of Apollo as an Archer in the ruins of Pompeii

The two bronze statues at the heart of the current Getty Villa exhibition Apollo from Pompeii: Investigating an Ancient Bronze—set to close September 12—may look rather familiar if you’ve traveled to Pompeii or seen it in pictures. For as you… More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Nothing Happens, Everything Happens: Perspectives on “Trojan Women (after Euripides)”

trojan_women_2

“People don’t understand why Trojan Women is such a great play, because they say nothing happens,” says director Anne Bogart, explaining why SITI Company chose to adapt the ancient drama for this year’s outdoor theater production at the Getty Villa. “In… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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