scholarship

Posted in Getty Foundation, Getty Research Institute

Rethinking Latin American Art

Anthropologia de la Mula, Anthropology of the Mule / Adriana Bustos

Is there any consensus about the definition and field of “Latin American art”? This question was the subject of discussion by a group of international art historians and curators at a recent two-part, two-continent symposium, Between Theory and Practice: Rethinking… More»

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Posted in Education, Getty Research Institute, J. Paul Getty Museum, Research

The Museum as Classroom: Q&A with Guest Scholar George Hein

Shedding light: George Hein in the Research Library at the Getty Research Institute.
Shedding light: George Hein in the Research Library at the Getty Research Institute.

George Hein, a leading authority on museum education whom the Museum’s Education Department invited as a guest scholar this spring, says that museums are inherently educational. The professor emeritus in the Graduate School of Arts and Social Sciences at Lesley… More»

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Posted in Behind the Scenes, Getty Research Institute, Publications, Research

The Getty Research Journal: Diverse, Collaborative, International

Cover of the Getty Research Journal, issue 3 (2011) featuring Brian O'Doherty's Tatlin Squared

The third issue of the Getty Research Journal has just been published. Each year, the Journal presents new research on the Getty’s broad holdings and highlights the diverse interests of our staff and scholars. The journal’s goal is to share… More»

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Posted in Behind the Scenes, Getty Research Institute

Study and Play for Visiting Scholars at the Getty Research Institute

Getty Research Institute visiting scholars on the GRI's West Terrace

Each year, the Getty Research Institute invites scholars and artists to work on projects that go hand in hand with a chosen theme. This year’s theme is The Display of Art, a broad, deep topic examining how ideas and objects… More»

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Posted in Getty Foundation, Research

Looking With New Eyes at Scholarly Art Catalogues

SFMOMA, one of the participants in the OSCI initiative, has chosen to focus on Robert Rauschenberg, given their significant holdings of his work, and their team is gathering together curatorial essays, conservation documentation, audio interviews and related materials in a single online resource. Image: Collection (formerly Untitled), Robert Rauschenberg, 1954, oil, paper, fabric, wood, and metal on canvas, SFMOMA
SFMOMA, one of the participants in the OSCI initiative, has chosen to focus on Robert Rauschenberg, given their significant holdings of his work, and their team is gathering together curatorial essays, conservation documentation, audio interviews and related materials in a single online resource. Image: Collection (formerly Untitled), Robert Rauschenberg, 1954, oil, paper, fabric, wood, and metal on canvas, SFMOMA

The scholarly catalogue has long been a critical part of a museum’s mission, providing authoritative information about collection objects for scholars, students, and the general public. Richly illustrated and often based on years of painstaking research, print catalogues form one… More»

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      #ProvenancePeek: June 30

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This portrait of actress Antonia Zárate by Goya is now part of the collection of the National Gallery of Ireland. The records of famed art dealer M. Knoedler & Co. at the Getty Research Institute reveal its recent provenance: the painting was sold by Knoedler on June 30, 1910, to financier Otto Beit. Part of his collection, including this painting, was later donated to the National Gallery of Ireland in Dublin. To this day the Gallery showcases some of its greatest masterpieces in the Beit Wing. This spread from a digitized Knoedler stock book records the transaction (second entry from top).

      M. Knoedler was one of the most influential dealers in the history of art. He sold European paintings to collectors (such as Henry Clay Frick, the Vanderbilts, and Andrew Mellon) whose collections formed the genesis of great museums such as the National Gallery of Art, the Metropolitan Museum of Art, the Frick Collection, the Huntington, and more. Knoedler’s stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Portrait of Doña Antonia Zárate, ca. 1805–06, José de Goya y Lucientes. Beit Collection, National Gallery of Ireland. Image courtesy of the National Gallery of Ireland.

      _______

      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      06/30/15

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