Theater

Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Nothing Happens, Everything Happens: Perspectives on “Trojan Women (after Euripides)”

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“People don’t understand why Trojan Women is such a great play, because they say nothing happens,” says director Anne Bogart, explaining why SITI Company chose to adapt the ancient drama for this year’s outdoor theater production at the Getty Villa. “In… More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

SITI Company on “Trojan Women (after Euripides)” at the Getty Villa

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SITI company premieres a newly commissioned adaptation of Euripides’ Trojan Women at the Getty Villa on September 8. “We’ve been working for 20 years to do this play,” says Leon Ingulsrud, who helped found the New York-based ensemble in 1991. In… More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Reimagining Euripides: A 21st-Century “Trojan Women” at the Getty Villa

Playwright and dramaturg Jocelyn Clarke and SITI Company director Anne Bogart
Playwright and dramaturg Jocelyn Clarke and SITI Company director Anne Bogart

First performed over 2,400 years ago, Euripides’ Trojan Women is one of the most enduring and moving of classical dramas—and one of the greatest antiwar plays. Beginning September 8, renowned New York-based theater troupe SITI Company premieres a newly commissioned… More»

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Posted in Ancient World, Antiquities, Getty Villa, J. Paul Getty Museum

Mortals Pay Homage to Homer’s “Iliad,” Epic of Gods and War

A Homeric omen: A Greek wine Cup featuring a scene of an eagle battling a snake, made about 530 B.C.

Mighty sieges and human follies. The bravado of warriors and the rages and schemes of gods. The Iliad, one of the best-told epics of all time, will be heard aloud again when some 150 volunteer readers recite the ancient Greek… More»

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Posted in Getty Center

Selected Shorts Celebrates the Written (and Spoken) Word

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Rumors of the short story’s death have been greatly exaggerated. Only an appearance by Mark Twain himself could have capped an evening of well-crafted, funny narratives this past weekend at Selected Shorts, an annual series that pairs actors with classic… More»

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Posted in Behind the Scenes, Getty Villa

Poor Dog Group Unleashes the Power of Satyrs for Villa Theater Lab

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L.A. theater ensemble Poor Dog Group is unleashing Satyr Atlas, a re-imagining of ancient Greek satyr plays, at the Getty Villa this weekend. What are satyr plays, you ask? Neither tragedy nor comedy, but a dramatic universe of their own… More»

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Posted in Getty Villa, J. Paul Getty Museum

Storyteller Daniel Morden Discusses His Craft

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Breathing life into ancient tales is both a challenge and an art. Master storyteller Daniel Morden, who performs this weekend at the Getty Villa, has perfected it. His passion and zeal for classic stories—at the Villa, selections from Ovid’s Metamorphoses and… More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Video: Manoel Felciano on Playing Orestes in “Elektra”

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Sophocles’ Elektra—which concludes its run at the Getty Villa this Saturday—is the story of a woman’s thirst for revenge: Elektra rages and plots against her mother (and her mother’s lover) for slaying her father. But Elektra’s brother, Orestes, is the… More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Video: Pamela Reed on Working with Carey Perloff and Olympia Dukakis

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Pamela Reed rips into the role of murderous queen Clytemnestra in Sophocles’ Elektra with gusto. She creates a character that reviewers have described as despicable, divalike, suave, snarky, and imperious—in short, a perfect and delicious villain. In this video, Reed… More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Video: Olympia Dukakis and Carey Perloff on the Making of “Elektra”

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“I will not participate in that patriarchy!” That was Olympia Dukakis’s reaction, almost 25 years ago, when director Carey Perloff approached her about starring as Clytemnestra in Ezra Pound’s translation of Elektra. Today’s production—with a text by acclaimed female  playwright… More»

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      Eye-to-eye with a devotional painting of Christ.

      This haunting and intimate portrait of Christ is both dramatic and spiritual. Less than a foot high, the panel was made for private use.

      See the full picture here.

       Eye-to-eye connects the peoples of yesterday to you through art.

      10/22/14

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