games

Posted in Art, Exhibitions and Installations, Getty Research Institute

Colorful Board Game Turns the French Colonies into Child’s Play

Trading Game: France - Colonies / O.P.I.M.
Trading Game: France—Colonies, 1941, O.P.I.M. (Office de publicite et d'impression), Breveté S.G.D.G. Lithograph on linen, 22 7/8 x 32 1/4 in. The Getty Research Institute, 970031.6

Through game play, French children master the craft of colonialism. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: Medieval Children’s Games

Initial C: The Massacre of the Innocents in a breviary / French

The current exhibition Gothic Grandeur abounds with images in the margin. These charming and often humorous additions, called marginalia (Latin for “things in the margins”), were introduced to manuscript illumination during the Gothic era. In the lower border of this… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum

Play the Paris Gallery Game!

Find the six things that are different in this portrait of Gabriel Bernard de Rieux created by Maurice-Quentin de La Tour about 1739–41

The exhibition Paris: Life & Luxury transports you to an affluent Parisian home in the mid-1700s. It’s presented in a series of rooms that show the activities an elite family would have performed in the morning, afternoon, and evening—from dressing… More»

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Posted in Art, Behind the Scenes

SCVNGR Hunts in L.A. Museums

Kellian Adams and Phillippa Pitts writing clues for the SCVNGR hunt in the Getty Center’s North Pavilion

The American Association of Museums annual conference is in Los Angeles this week. In between sessions and schmoozing, AAM is hoping that conference attendees will have some fun playing games! To that end, AAM invited Kellian Adams, museum maven from… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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