The current exhibition Gothic Grandeur abounds with images in the margin. These charming and often humorous additions, called marginalia (Latin for “things in the margins”), were introduced to manuscript illumination during the Gothic era. In the lower border of this… More»
The exhibition Paris: Life & Luxury transports you to an affluent Parisian home in the mid-1700s. It’s presented in a series of rooms that show the activities an elite family would have performed in the morning, afternoon, and evening—from dressing… More»
The American Association of Museums annual conference is in Los Angeles this week. In between sessions and schmoozing, AAM is hoping that conference attendees will have some fun playing games! To that end, AAM invited Kellian Adams, museum maven from… More»
Andrea del Sarto, Various studies, c.1520’s
Son of a tailor (sarto). Andrea became one of the best loved artists of Florence. Vasari had good things to say about him.
…Andrea del Sarto, in whose single person Nature and art showed all that painting can achieve by means of drawing, colouring and invention: and indeed if Andrea had possessed a little more boldness and daring of spirit, to match his very profound judgement and talent as a painter, he would, there is no doubt at all, have been without equal.
Browning wrote poems about him:
Ah, but a man’s reach should exceed his grasp,
Or what’s a heaven for?His drawings are natural, graceful and sensitive, an excellent draughtsman.
…and he was very much in love with his wife… (something we don’t often hear about Renaissance artists!)
Our curator Julian Brooks is in Florence now researching del Sarto for an exhibition in 2015.